Signs of the times

Catching you up on recent paintings featuring vintage signage. All currently available at MarianneBland.com.

"Status Quo", 18" x 24" acrylic on canvas

“Status Quo”, 18″ x 24″ acrylic on canvas

Now playing: Nothing, Forever at the State Theatre in historic Marysville, CA. If any horror flick directors out there need a scary place to shoot, this spot is boarded up and undoubtedly haunted.  I also like the reference to “the state of things” (literal translation of status quo) as a blank, faded marquee. It’s kind of the equivalent of a shrug, or “meh”; very appropriate for my generation.

"Nitehawks", 18" x 24" acrylic on canvas

“Nitehawks”, 18″ x 24″ acrylic on canvas

A wink and nod to Hopper in title, I was very pleased with the peeling pink paint result (it’s easier to see in person. You know, sublety) in this painting.

"God Bless Dinners", 18" x 24" acrylic on canvas

“God Bless Dinners”, 18″ x 24″ acrylic on canvas

This restaurant is also located in Sacramento’s Del Paso Heights neighborhood and is a good example of how I prefer not to name locations with their actual titles most of the time. This one offered all kinds of amusing alternatives and is still a functioning greasy spoon if you are intrigued by the concept of beef from the other coast blessed by God (or ham and eggs, apparently).

Ice Box, 18" x 24" acrylic on canvas

“Ice Box”, 18″ x 24″ acrylic on canvas

Iceland completely defies physics by remaining in existence in Sacramento, CA (aka the surface of the sun). I particularly enjoy how the “come skate” paint is all creepy and dripping, as if it should be followed with “at your own risk” or “if you dare!” like a scene in a Goosebumps book.

"Greyhound", 18" x 24" acrylic on canvas

“Greyhound”, 18″ x 24″ acrylic on canvas

The above is an ode to Hopper, featuring blocky colors and devoid of reflections. This old Greyhound depot has been replaced with a cool modern location in Sacramento, as is often the case- places change before I get the chance to paint them pretty frequently.

"Dough Conditioner", 10" x 30" acrylic on canvas

“Dough Conditioner”, 10″ x 30″ acrylic on canvas

What once smelled of yeast and sorrow is now a vacant building, haunted by the spirits of nutritionally-devoid pastries. I intentionally cut off the title as a play on the word “under” since, you know- it went under.

Signs are stoic markers of events ingrained in the collective conscience. And they are also hard to paint. Here’s hoping you enjoyed checking them out. The 18″ x 24″ canvases above are all framed in flat black and available for $700 at MarianneBland.com. Happy Friday, folks! Thanks for reading.

 

 

Advertisement

Under pressure

"Pressed", 48" x 48" acrylic on canvas, A commissioned painting.

“Pressed”, 48″ x 48″ acrylic on canvas, A commissioned painting.

Long time, no type! Hello again, darling art-lovers. I have returned from the hibernation / wormhole I fell into nearly four months ago, and I’m back to tell exciting tales of art! Despite the evidence to the contrary, I’ve actually been busy in the studio, albeit mum on the blog. I spent a few months hard at work on the above commission piece, a 4 foot by 4 foot canvas titled PRESSED, for an amazing couple in Seattle. Featuring a nail salon setting with manicurist closing shop, this mammoth work is the largest representational painting I’ve completed since a 50′ mural for the city of San Bruno. But that’s not all….

As yet untitled 16" x 20" acrylic on canvas

As yet untitled 16″ x 20″ acrylic on canvas

This was the first piece I completed after finishing the commission (title TBD- don’t worry, I don’t do “untitled” ;), and then there was this…

As yet untitled 10" x 10" acrylic on canvas

As yet untitled 10″ x 10″ acrylic on canvas

…and then, like a beautiful little gift from the heavens, the opportunity for a solo show at Blue Line Gallery in Roseville, CA fell into my lap. That’s right, ladies and gents- mark it on your calendar. The opening for “VESTIGES” is Saturday, April 19th from 7-9 pm at 405 Vernon St. in Roseville, CA (near Sacramento). The show opens on Thursday, April 17th and will run through the end of May.

As yet untitled acrylic painting, 18" x 24"

As yet untitled acrylic painting, 18″ x 24″

“Vestige” means a “trace or mark of things vanishing or lost”, and will feature works like the above as well as several as-yet-unfinished nightscapes showcasing scenes that feel out of place in time or represent modalities on their way out of fashion, like bookstores and record shops.

"3rd sign's a charm", acrylic on canvas, 18" x 24"

“3rd sign’s a charm”, acrylic on canvas, 18″ x 24″

While this is SUPER FRIKIN EXCITING, it also means I have agreed to execute several large-scale pieces in a very short amount of time while holding down a full-time job. Thankfully, my husband and family are super-supportive, and I am capable of some remarkably fast painting. My basic grasp of mathematics is helping keep me on schedule (X number of paintings need to be created every Y number of days, with Z number of hours per piece on average), but I’m in complete Liam-Neeson-mode [“Quickly! There’s no time!].

As yet untitled acrylic painting on canvas, 18" x 24"

As yet untitled acrylic painting on canvas, 18″ x 24″

This means that socializing, general chores and life itself is primarily on hold until mid-April. I also doubt I’m going to have the time to post every work in between now and then, since I will have roughly THIRTY works on display in the Westpark Workshop Gallery (back room) at Blue Line. Showing concurrently will be America’s Clayfest, so there will be sculptural work as well as my 2D paintings on display for almost 2 months. If you need help planning a day trip to the Sacramento area to see this stuff, let me know. If you are local, you better darn well get your butt over there, people. 😉 I’m so excited I can hardly contain it. And now, back to the studio.

 

 

HANG Gallery SF & how to hang my art in your home!

HangBIG NEWS, art fans! First, I’m very excited to announce that I am officially represented by HANG Gallery at 567 Sutter St. San Francisco! Hooray! This is so exciting for me, as I have long appreciated this gallery, the artists it represents and the quality of their artwork. To be included in their family is an honor and a big badge on my imaginary artist achievement sash. So if you’re local to San Francisco, enjoy seeing regular rotations of local artwork, or ever find yourself visiting downtown San Fran and hankering for some art to ogle, think of HANG. They’re on Facebook, WordPress, Twitter, Tumblr & Pinterest – pick your social media poison to stay up-to-date. 😉

ArtStudioNext, I’m participating in Capital Artists Studio Tour 2013, an annual Sacramento area Open Studios event. Spanning the weekends of September 14 – 15 & 21 – 22, this free event gives art appreciators the chance to visit local artists in their studios. It’s a self-guided tour running from 10 am to 5 pm Saturday and Sunday. Preview artists in the digital version of the guide, available here, then set a course for an art class planet! Don’t forget to bring your wallet too, since Open Studios is a terrific time for deals.

My studio is open THIS WEEKEND, at 5850 Bridgecross Dr. Sacramento, CA. I will be opening the vault and displaying mixed media abstracts, original drawings, figurative paintings and experimental works from college- it’s an art clearance sale with many pieces under $50. I’ll also have those cityscapes that aren’t on display at HANG available for viewing / purchasing.

Progress shot from my studio while I worked on my SF Heart

Progress shot from my studio while I worked on my SF Heart

Other current / upcoming events:

Capital Artists’ Studio Tour Exhibition, Center for Contemporary Art Sacramento 1519 19th St Sacramento, Sept 3 – 22

San Francisco Open Studios, SHARED 739 Bryant St. San Francisco Nov 2 & 3 10am – 6pm

SF Open Studios Exhibition at SOMArts Cultural Center 934 Brannan St Oct 11 – Nov 10

Open Studios Sacramento this weekend!

Capital Artists’ Studio Tour is this weekend! (And next, but if you want to visit my open studio, it’s this weekend only!)

Visit me at my home studio, 5850 Bridgecross Dr. in Sacramento, CA. Located in North Natomas near the airport / Elkhorn and freeways 5 & 80, there’s plenty of street parking in our neighborhood.

Hours are 10am to 5 pm Saturday, September 8 & Sunday, September 9. Visit CASTSacramento.org to download the guide and plan your tour.

20120907-132723.jpg
I’m dragging out the oldie-but-goodies and the greatest hits. Wine and snacks are at the ready…

20120907-132859.jpg
…and I even got flowers for you guys. Awwww! 😉 See you there, art lovers!

20120907-133409.jpg

How to begin collecting art

20120817-191921.jpg

“Reclining nude” an old drawing I’m framing for the Capital Artist’s Studio Tour, Sept. 8 & 9

Pop quiz, art lovers! Answer these three questions as fast as you can:
1. What’s the first piece of art you see when you walk into your home?
2. Who is your favorite local artist?
3. When’s the last time you saw affordable art in person?

If you don’t have answers to any of the above, don’t worry- you’re in a large boat with lots of other people who love art, but don’t have as much of a personal connection / collection as they’d like. The good news is that it’s remarkably easy to start collecting art. I’ve been asked a few times about the best ways to go about it, so I decided to put together this how-to article.

First, let’s dispel some commonly-held myths.

Art myth #1: Art is too expensive
To be fair, there’s A LOT of expensive art in the world. I’ve seen life-size taxidermy-style rabbit creatures with exposed nipples selling for $12K each (seriously, I have a witness that can verify that wackadoodle art moment). A Picasso scribble on a napkin can go for a few grand. But there are oodles of artists selling work for a couple hundred dollars or less, and chances are they’re right in your backyard. Many people think they can only afford prints or posters. But original art that you like is out there! And it’s not hard to find… if you know where to look. We’ll get to that later.

Art myth #2: Art is only sold in galleries
Cue your mental buzzers, folks! That myth is WRONG! Art is sold in galleries, of course- usually at 2-3 times the price of buying it directly from an artist to cover their commission and overhead, too. It’s great to support galleries when you can. These venues are essentially on the endangered species list right now. If you like having places to regularly view work, patronize your local galleries during affordable art group shows, or better yet, find a co-op!

Cooperative galleries like City Art Gallery in San Francisco’s Mission District are completely owned and operated by local artists who usually put together some pretty rockin’ shows and give more back to their members. Besides galleries, you can buy art at events like Art Fairs, Art Walks and Open Studios.

My Open Studios setup last year

Art myth #3: Affordable art isn’t quality art or it would cost more
Most of us want art because of how it makes us feel, not because of its investment properties. Art prices can be wildly different from artist to artist, and often they are based on the artist’s gut as opposed to market research. Bad art can be overpriced, good art can be underpriced. What makes art “good” or “quality” anyway? Technique affects quality- such as an artist using archival pigments and papers- but what makes it good is whether or not YOU have a connection with it.

Alright, now let’s get to the “how-to”s of starting your very own art collection:

1. Consider what type of art you like…. and don’t like!
Sometimes it’s easier to think of what you don’t enjoy than to identify what your aesthetic is, especially when you are beginning to collect art. I happen to like a lot of art that is different from the style of work I create. A little bit of casual research in this area will help you quickly narrow it down. Perhaps you’re into folk art or street art or color fields or collage. Visit a museum or a few galleries. Take notes in like/don’t like categories on your phone. Ask the gallery attendants or museum curators what style of art a piece is if you aren’t sure. Why do this? The Internet is really awesome for finding art, but there’s so much of it out there that keywords are, well key to helping you find it- whether you’re looking for local work or scouring the globe virtually.

2. Find local venues that showcase local artists
Most semi-urban areas have local arts organizations. For example, here in Sacramento we have SMAC,the Sacramento Metropolitan Arts Commission. They offer a newsletter that gives me details on resources and calls for art as well as local exhibitions. We also have an events website called Sacramento365.com that features local artists of the month and arts events. Free newspapers or zines on display around town, like the Sacramento News & Review out here are also a convenient way to discover art happenings.

Terms to search online include “cooperative art gallery in (name of your city)”, “art walk in _____”, “art openings in _____”, and “open studios in _____”. Most cities now have regular art-related events, such as “Second Saturday” or “First Friday”, on recurring dates used to coordinate city-wide art exhibitions. Usually you can just park downtown and walk around on these nights to see artwork set up on the street, in bars and restaurants and in galleries with extended hours in addition to places you’d never expect.

Open Studios are generally annual or semi-annual art events in a geographic location designed to give the art-loving public direct access to artists in their working spaces. Some artists offer demonstrations of specific techniques, such as those indicated with an asterisk in this year’s CAST Guide for the Capital Artists Studio Tour. CAST, the Open Studios event in Sacramento, is expanding so much each year that they had to split it into 2 weekends this time. This puts us in the footsteps of neighbor-by-the-bay San Francisco, who boasts the nation’s largest and oldest-running Open Studios– a bi-annual, month-long, kick-ass adventure featuring different neighborhoods each weekend and accompanied by a luxurious guide. Oh yeah, and there’s usually an app/ QR-code linked virtual map too. [It’s Silicon Valley, after all.]

“Embassy of Cake”, a nightscape of San Francisco I painted in 2011. Original available as well as prints.

3. Stay in touch with local artists you like
When you find artists you like, keep them on your radar. You can sign up for e-newsletters- many artists put out sign-up sheets during openings- or follow them on Twitter or Facebook or read their blog. Artists are essentially small-business owners, and it’s up to us to keep our fans engaged. I personally post new art on my blog, Facebook fan page and Twitter, and lots of my favorite fellow artists do too. It’s a great way to see what they’ve been up to, call dibs on a piece if it’s love at first sight [or barter-dibs, if you’re into trading art for art like I am], or evaluate their work over time as you secretly admire it.

This could also keep you in the loop for sales, discounts and openings. There’s nothing like seeing art in person, which is why I recommend you begin locally. Not every artist offers sales, but many try to reward clients that stick with them through discounts or occasional gifts.

Besides that, artists can be pretty interesting. You may learn something about yourself by following stories from artists who make artwork you enjoy. And you’ll have a stronger connection to the pieces you eventually purchase from them, because you’ll have learned about what inspired the piece, or stories surrounding their process. When you are connected to an artist, their art will have more worth to you, and you’ll feel better about supporting him/her while giving the gift of art to yourself.

Visitors checking out some of my mixed media pieces at the Sacramento Gay & Lesbian Center, from their blog REVEL

4. Start small and buy one piece you love
If you’ve never bought a piece of original art, start small- either in size or price. You can set yourself a budget- maybe your first piece will be $50 or less. If that’s hard for you, try negotiating a simple swap with yourself- say “I’ll skip 5 days at Starbucks to spend $25 on this mini-painting”.

And don’t buy it unless you LOVE it- really. I might spend 30 seconds looking at a throw pillow in Ross and pay $10 for it, then use it on my couch for a couple months until I get tired of it, and I might do that a few times a year. Do I LOVE the pillow? Meh. Do I NEED the pillow? No. So instead, couldn’t I live with whatever pillows I have for awhile and use that furnishing-whim-money on a rad wall sculpture from a local ceramicist that I can enjoy in my boudoir every damn day? Yes! And so can you!

How do you know if you LOVE a piece of art? Sometimes it’s a gut feeling, an impact you notice right away. You walk into the crowded, white-walled gallery opening and head for the free wine and cheese table when suddenly a piece of art jumps off the wall and straight into your visual cortex and doesn’t let go. Other times, it’s more subtle.

If it is a subtle courting and you’re not sure if you want to go for it, my biggest tip when it comes to figuring out whether or not you should buy a piece you like is to sleep on it. If you see a piece of art you like, and days, weeks or months later you still find yourself thinking about it, chances are you’ll enjoy it for years to come. The only caveat is that original art is usually one of a kind, and while you’re thinking about it, the piece could be sold to someone else.

At a City Art Gallery opening in 2010

Part of my personal commitment to my collectors is to always have affordable art available, and by that I mean original work under $100.  Growing up, I remember visiting art galleries as a teenager and getting the brush-off. I dislike the assumption that art is only for rich people. Art is for everyone. That being said, I could never charge $100 for the pieces that take me 50+ hours to complete, which leads me to my next tip..

5. Ask the artist for a payment plan or layaway option on a large purchase
Some of us fall into the “Whole Foods taste, Trader Joe’s budget” category, and that’s understandable. I’ve heard artists say that they could not afford to purchase their own work in a gallery, which is upsetting. Choosing art can be a lot like dating- you can’t always control who you fall for. And sometimes you fall for the tall, dark, expensive painting. Every artist handles sales differently, but most of us are reasonable.

An artist doesn’t have to put up a note on his/her website saying “ask me about layaway!” to be open to it. If you find a piece of art that you LOVE so bad it hurts your wallet, see if he/she would be willing to let you make payments. I arrange commissions and mural projects into installments. It works for me, because I get SOME money right away, and it works for the client, because they don’t have to fork it all over at once. Hooray!

So that’s it- a few simple steps towards enriching your living space and life with labors of love. In times like these, it’s easy to look at art as fluff. Clearly it’s not a necessity the way toilet paper and bread are. But be assured that when you’re ready to venture into it, the emerging collector’s art market will be here waiting. 🙂

In a van down by the river

"Wild lilac", acrylic painting on woodblock

Day 268: Wild Lilac

While I have no way of knowing if the fragrant wildflower imparting its lovely scent unto the cold delta breeze the day I took this photo was indeed wild lilac, that’s what I’ve decided to call it. And as any piece of art is a window into a little world of make-believe built of painted gestures, there’s no reason it can’t be lilac. So there. (I know none of you were necessarily challenging the lilac situation, but now it’s been addressed and we can all relax.)

Today’s piece shows the rolling hillside across from some part of the river. The bushy bits in the foreground were mostly milkweed, mixed on the banks with foxtails and grasses. The Sacramento area really can be quite lovely. If you’re enjoying these landscapes, switch the TV on to KVIE this weekend. Their annual art auction is going on, and there are lots of great pieces up for sale from some of my local art buddies, including more fabulous landscapes. 🙂

Stroll through Sac

"Snuggle", a photo from midtown

Day 217: Stroll through Sac

I’ve been meaning to take some painting reference images of buildings in Sacramento since I moved here…. which was two years ago. So… yeah. Time to bust out the camera. At first I was thinking I should have waited until the dusk to get that “golden hour” photo people talk about, but once I began walking around the shady streets in the “city of trees” (that’s what they call it, I’m not just using quotes for fun), I was glad I’d decided to come out. I enjoy the old buildings so much more than the giant skyscrapers, so I took a bunch of photos of random homes. Amongst them, I also happened upon a few amusing vignettes:

"Lashes", a photo from midtown

…a banana seat bike snuggling up to a tree while a hydrant looks on longingly (top of post), the surprisingly Wall-E like eyeballs of the railroad doo-dad (above) and a pole so transformed by layers of posters and staples, I thought I was in Berkeley for a minute:

"Bark", a photo from midtown

I also did some more work on the oil painting, which I am hoping to have finished and finally revealed to you lovely people tomorrow. Fingers crossed. 🙂

Day 41

Gasp, it’s the earliest post yet! This morning, I set out on a photo excursion. On my commute, I’d always go past Old Sacramento. Though I could see the Victorian scrollwork and old brick buildings from the freeway, I wasn’t sure how to get there, so I took the Prius, knowing its GPS would help me get home. After trying a couple freeway exits that looked like they should take me directly there, but which looped around in all manner of bizarre construction, I surmised that the architect who plotted these streets had modeled them after an arteriovenous malformation*. It started to feel very much like my text-based roleplaying game days of old..“Sorry, you need 200 more XP to unlock Old Sacramento!”**

Sitting at a stoplight, I noticed the car in front of me turn awkwardly into what was, for all intents and purposes, an invisible road. I would never have seen it if I hadn’t noticed that car slipping through the fabric of spacetime into this hidden left turn. Happily, I followed and discovered I’d ended up on the streets I was looking for! I even found parking. As I fished around for quarters, I saw endless ant-trails of schoolchildren walking past the vendors who’d just opened up. The shopkeeps looked at the kids as they trod past as if they could see little dollar-signs floating above their heads. I could almost hear them think, “Ah, that pudgy one’s definitely good for a funnel cake on the way back.”

The street was pretty quiet, considering it’s a weekday, and I felt like an explorer. I didn’t feel weird with my camera, like I sometimes do. Long shadows stretched across the plankboards of the raised wooden sidewalks and into the dribble of cobblestone they’d decided not to pave over for sentiment’s sake. I took quite a few photos and had them printed out at a Kodak kiosk for painting references, but some of them were just lovely on their own. Today’s piece is a photo that captures textures and modern ruins in a way that enraptures me (with some boosted contrast and red tint), and I hope you like it too.

*That one’s for you, mom! Nothing like having an Angio Tech as a mother. 🙂

**And that one’s for my nerd brethren. Enjoy.