The wrong kind of rollercoaster

It’s been one of those pull-the-sheets-up-when-the-alarm-goes-off-and-punch-yourself-in-the-face kind of months. After years of lusting after a stable gallery relationship, I finally got picked up by HANG Gallery in San Francisco. It started off with a bang- half their inventory of my work sold within weeks, I sold a piece that wasn’t even in the gallery through them and picked up a commission. Then we realized that there was a miscommunistanding about geographical boundaries, and they dropped me until I move back into the bay area full time [which is probably never, since we own a house in Sacramento]. So ends my brief foray into career validation, as quickly as it began.


I got to visit Chicago for the first time, which I was very excited about. However, it happened to be during the annual marathon. Did you know that GPS devices don’t understand special event street closures? They also don’t sound like Daniel Craig. My attempt to visit the highly-recommended (by both friends and strangers) Chicago Art Museum was thwarted by people who inexplicably enjoy running. Thankfully, I can still read a normal map, which got me to my work-destination, but only after my limited free time was eaten up by making u-turns at the painstakingly slow instruction of angry traffic cops. As a goodbye gift, Chicago took a chunk out of my knee (it’s healing up pretty quickly) and also forced me to scuff the rental car on an impossibly narrow [and insanely expensive] parking garage.

My carpal tunnel started acting up again, which I suppose is good that it’s happening now since I have no damn time to paint at the moment, which I discovered while crawling into my rental car through the passenger seat after coming out to this in the hospital parking lot:


And my husband’s birthday is coming up, but I’ll be traveling to San Francisco, Portland, and a host of other cities for my day job (I’m a recruiter for an art college), leaving me no time to honor him or attend my nephew’s birthday party at that. I just found out that my on-campus support is being promoted, which means those students I try so hard to find are probably going to slink into the ether.

On top of all that, Open Studios is coming up. Which I have virtually no time to prepare for. Thankfully I am an expert in pulling things off with no prep time.  So if you find yourself in San Francisco November 2-3, please come visit me at SHARED 739 Bryant St in SOMA. There’s plenty of street parking, we’re having an opening reception on Friday, November 1st  from 7 to 9 pm, and I will have my own original art for viewing and sale. I have one of those nifty SQUARE thingies so I will be accepting ALL credit cards! You too, Discover renegades. 😉 Hope to see you there. Also hoping October ends soon. When one door closes, a window opens, right? RIGHT?!



HANG Gallery SF & how to hang my art in your home!

HangBIG NEWS, art fans! First, I’m very excited to announce that I am officially represented by HANG Gallery at 567 Sutter St. San Francisco! Hooray! This is so exciting for me, as I have long appreciated this gallery, the artists it represents and the quality of their artwork. To be included in their family is an honor and a big badge on my imaginary artist achievement sash. So if you’re local to San Francisco, enjoy seeing regular rotations of local artwork, or ever find yourself visiting downtown San Fran and hankering for some art to ogle, think of HANG. They’re on Facebook, WordPress, Twitter, Tumblr & Pinterest – pick your social media poison to stay up-to-date. 😉

ArtStudioNext, I’m participating in Capital Artists Studio Tour 2013, an annual Sacramento area Open Studios event. Spanning the weekends of September 14 – 15 & 21 – 22, this free event gives art appreciators the chance to visit local artists in their studios. It’s a self-guided tour running from 10 am to 5 pm Saturday and Sunday. Preview artists in the digital version of the guide, available here, then set a course for an art class planet! Don’t forget to bring your wallet too, since Open Studios is a terrific time for deals.

My studio is open THIS WEEKEND, at 5850 Bridgecross Dr. Sacramento, CA. I will be opening the vault and displaying mixed media abstracts, original drawings, figurative paintings and experimental works from college- it’s an art clearance sale with many pieces under $50. I’ll also have those cityscapes that aren’t on display at HANG available for viewing / purchasing.

Progress shot from my studio while I worked on my SF Heart

Progress shot from my studio while I worked on my SF Heart

Other current / upcoming events:

Capital Artists’ Studio Tour Exhibition, Center for Contemporary Art Sacramento 1519 19th St Sacramento, Sept 3 – 22

San Francisco Open Studios, SHARED 739 Bryant St. San Francisco Nov 2 & 3 10am – 6pm

SF Open Studios Exhibition at SOMArts Cultural Center 934 Brannan St Oct 11 – Nov 10

New paintings

"Strapped", 10" x 10" acrylic painting on canvas featuring an afternoon pedestrian commuter moment from the Mission District

“Strapped”, 10″ x 10″ acrylic painting on canvas featuring an afternoon pedestrian commuter moment from the Mission District

Ask and ye shall receive, Margret. And anyone else who was mentally asking for new images. 😉 Chances are there are always new-and-as-of-yet-unposted works at any given moment. Chances are also good that I am too lazy/busy (take your pick) to have posted them immediately.

"DOMA" Day, 10" x 10" acrylic on canvas featuring a Dolores Park scene on the day of the DOMA Supreme Court decision

“DOMA” Day, 10″ x 10″ acrylic on canvas featuring a Dolores Park scene on the day of the DOMA Supreme Court decision

I’ve been working in a bit of a reduced palette lately and incorporating more day scenery. I think I dig it but as always, I really need time to sit and stare at things for awhile before they soak in, even when they’re finished.

"Tourist Trap", 10" x 30" acrylic on canvas featuring a novelty/t-shirt shop on Embarcadero at night

“Tourist Trap”, 10″ x 30″ acrylic on canvas featuring a novelty/t-shirt shop on Embarcadero at night

Other times, I know right away I love (or will love) a piece, and sometimes I love an image defiantly- in that I couldn’t care less if anyone else likes it or not, because I definitely do. “Tourist Trap” is one of those. It’s not something you’d see on a postcard of San Francisco… even though it’s an image of a place filled to the brim with trinkety crap such as said postcards. Which is kind of ironic? Or possibly I’m thinking of this ala Alanis Morrisette irony (which is to say the wrong usage of this word)… I’ll let the English teachers among you decide (I know you’re out there).

And then there are these little cuties, that have already been claimed. Sorry everyone else who isn’t my Aunt Kasey, friend Jill and collector Beth. 😀

This was hard to make. But it came out pretty awesome for a tiny city painting.

This was hard to make. But it came out pretty awesome for a tiny city painting.

You can almost feel the ocean air. :)

You can almost feel the ocean air. 🙂

Took a few glazes to get the morning fog right, but it feels cozy now. (Fog is cozy to me, don't judge.)

Took a few glazes to get the morning fog right, but it feels cozy now. (Fog is cozy to me, don’t judge.)

That’s it for the itty bitty painting parade! Enjoy your long weekend. I’ll be sipping Sangria and- you guessed it- spending lots of time in the studio. 🙂


Catching up

8" x 8" acrylic on canvas featuring Russian Hill Bookstore in San Francisco

8″ x 8″ acrylic on canvas featuring Russian Hill Bookstore in San Francisco

Usually catching up on something isn’t fun. Catching up on past due bills, for example, catching up on home work, or yard work, or work-outs… basically anything with “work” in it is usually nowhere near the “fun” bucket, and doing extra of whatever you’ve put off doing in the first place inversely makes it less fun [did I just write a math word-problem?].

"Banana Trolley", 8" x 8" acrylic on canvas, featuring a cable car in front of the Buena Vista.

“Banana Trolley”, 8″ x 8″ acrylic on canvas, featuring a cable car in front of the Buena Vista.

But today, we’re catching up with posts of my recent artwork (there’s that W-word again, darn it!), defying my imaginary equation by making both catching up and [art]work fun. Well…at least think looking at new art is fun. If you don’t, quick, click away! More art entering your eye field in 3..2..

"Bay Light", 8" x 24" acrylic on canvas featuring the old Bay Bridge at night as a barge passes by.

“Bay Light”, 8″ x 24″ acrylic on canvas featuring the old Bay Bridge at night as a barge passes by.

I photographed, canvas-prepped and have been furiously cranking out what will eventually be hordes of paintings for the upcoming Open Studios events I’m participating in in both Sacramento and San Francisco. And my goal, as always, to have affordable, original art available for emerging collectors, is on track with a series of smaller pieces.

"Dogpatch Overlook", 10" x 30" acrylic on canvas featuring the bay view from one part of Potrero Hill

“Dogpatch Overlook”, 10″ x 30″ acrylic on canvas featuring the bay view from one part of Potrero Hill

I’m also trying some horizontal and vertical sizes I haven’t yet tried to better suit those of you with awkward architectural spaces. You know, the ones that look at you mournfully from spots like my weirdly tall TV nook, forever alone in their un-decorated-ness.

"Coit Pride", 5" x 7" acrylic on canvas featuring Coit uplight with joy lights on the night of the Supreme Court DOMA announcement

“Coit Pride”, 5″ x 7″ acrylic on canvas featuring Coit uplight with joy lights on the night of the Supreme Court DOMA announcement

With real estate at a continually inexplicable premium in our bay area, there are probably lots of empty little spaces on odd little walls too. Which is why I bring you handy, tiny 5×7 and 8×8 pieces to grace them with cheer and color. As I happened to find myself in San Francisco the day of the Supreme Court DOMA & Prop 8 rulings, I snapped a couple commemorative images that I’m working on some limited edition originals of.

Turnip Truck, 8" x 8" acrylic on canvas from Sacramento Farmer's Market Series

Turnip Truck, 8″ x 8″ acrylic on canvas from Sacramento Farmer’s Market Series

I’m also halfway into a Sacramento Farmer’s Market series of small paintings. So far I’m the only one that likes the truck.

"Matoes", 8" x 8" acrylic on canvas from Sacramento Farmer's Market Series

“Matoes”, 8″ x 8″ acrylic on canvas from Sacramento Farmer’s Market Series

"Sunday Browsing", 8" x 8" acrylic on canvas from Sacramento Farmer's Market Series

“Sunday Browsing”, 8″ x 8″ acrylic on canvas from Sacramento Farmer’s Market Series

"Summer Squash", 18" x 24" acrylic on canvas painted for the KVIE Art Auction

“Summer Squash”, 18″ x 24″ acrylic on canvas painted for the KVIE Art Auction

And then there’s this one of a liquor store in SoCal for which I haven’t come up with a title yet.

As-yet-untitled 16" x 20" acrylic on canvas

As-yet-untitled 16″ x 20″ acrylic on canvas

There, all caught up. Hooray! And on a Monday too. Wow, anything really is possible! 😉

Wait for it



“Tonic”, a just-completed commission piece for the wonderful Utsumis of SF. 16 x 20 acrylic on canvas.

Sometimes you think you’re being leisurely and cool when you post new artwork for the first time in 6 weeks through your cell in bed, and then the ether holds your photos hostage in that space the chick from poltergeist was lost in. Take 2! Let the art-ogling commence…

As-yet-untitled 16 x 20 acrylic on canvas painting of dawn in the city

As-yet-untitled 16 x 20 acrylic on canvas painting of dawn in the city

This piece isn’t named yet. I have some good options floating around (again, that darn ether…), but no decisions. What sounds like a good title to you?


Also untitled currently, this is the final version of a previously posted 24 x 30 oil on canvas painting featuring a diner in Redwood City

Also untitled currently, this is the final version of a previously posted 24 x 30 oil on canvas painting featuring a diner in Redwood City

So this one isn’t new, but like the title of this post, I had to wait for it to be right. I stared at it on the wall of my studio for months and eventually I figured out what it needed. NOW I like it, and now I can seriously consider a title for it. Suggestions?

Thanks for your patience with my rusty blogging ineptitude. 😀

Open the floodgates


“The Fox”, 16″ x 20″ acrylic on canvas

Howdy humans! I may have been quiet on the blog-front for some time, but I was busy in the studio, the interwebs and in reality. Check out my brand-new website, complete with an updated artist statement and buy links directly from the painting description pages! And here’s the rest of the recent / new paintings:

"Piano Co", 16" x 20" acrylic on canvas

“Piano Co”, 16″ x 20″ acrylic on canvas

"Lavender", 24" x 30" acrylic on canvas

“Lavender”, 24″ x 30″ acrylic on canvas

"Take Out", 16" x 20" acrylic on canvas

“Take Out”, 16″ x 20″ acrylic on canvas

"Delivery", 16" x 20" acrylic on canvas

“Delivery”, 16″ x 20″ acrylic on canvas




Studio stirrings

New acrylic painting on 16" x 20" canvas

New acrylic painting on 16″ x 20″ canvas

Hello art lovers! My involuntary painting sabbatical (aka the “busy season” of my day job) is over….kind of. The studio has been cleaned, which is a glorious thing if you’ve never tried it. You know what I mean. You’re eyeing your nightmare of a craft room as you read this. This piece, which I’ve yet to settle on a title for, marks the beginning of a new painting era for me. Some of my older work from 2008 was created in a looser style like this, with drawing elements like charcoal, watercolor pencil (above, seen in the tree and power lines) and conte crayon. Who knows why I fell down the photorealist-rabbit-hole, but after a few maddening years obsessing over details, I was ready to return to a more evocative, expressive approach. Like an adult getting on a bicycle after decades of absence, I doubted that I would be able to do it, but was pleased to see how easily the movements returned to me with my trusty angle shader (my favorite brush).

This piece was completed just hours before I learned that my father-in-law Bob passed away unexpectedly. In times like these, it’s as if the entire world simply stops. Or rather, the world keeps going as you remain transfixed. It is hard to think of doing anything, and yet, doing something somehow helps, hence this post. Bob was a vibrant person who loved his sons and friends dearly. I have painted several scenes from images collected on a trip we took with him to San Francisco. There are no words to express how deeply this loss has impacted Rob & I. We miss you, Bob.

I have a new painting sketched in, and anticipate rediscovery of art as therapy in this difficult time. As I complete new paintings over the coming months, I look forward to sharing them with you. Thanks for being here.

How to begin collecting art


“Reclining nude” an old drawing I’m framing for the Capital Artist’s Studio Tour, Sept. 8 & 9

Pop quiz, art lovers! Answer these three questions as fast as you can:
1. What’s the first piece of art you see when you walk into your home?
2. Who is your favorite local artist?
3. When’s the last time you saw affordable art in person?

If you don’t have answers to any of the above, don’t worry- you’re in a large boat with lots of other people who love art, but don’t have as much of a personal connection / collection as they’d like. The good news is that it’s remarkably easy to start collecting art. I’ve been asked a few times about the best ways to go about it, so I decided to put together this how-to article.

First, let’s dispel some commonly-held myths.

Art myth #1: Art is too expensive
To be fair, there’s A LOT of expensive art in the world. I’ve seen life-size taxidermy-style rabbit creatures with exposed nipples selling for $12K each (seriously, I have a witness that can verify that wackadoodle art moment). A Picasso scribble on a napkin can go for a few grand. But there are oodles of artists selling work for a couple hundred dollars or less, and chances are they’re right in your backyard. Many people think they can only afford prints or posters. But original art that you like is out there! And it’s not hard to find… if you know where to look. We’ll get to that later.

Art myth #2: Art is only sold in galleries
Cue your mental buzzers, folks! That myth is WRONG! Art is sold in galleries, of course- usually at 2-3 times the price of buying it directly from an artist to cover their commission and overhead, too. It’s great to support galleries when you can. These venues are essentially on the endangered species list right now. If you like having places to regularly view work, patronize your local galleries during affordable art group shows, or better yet, find a co-op!

Cooperative galleries like City Art Gallery in San Francisco’s Mission District are completely owned and operated by local artists who usually put together some pretty rockin’ shows and give more back to their members. Besides galleries, you can buy art at events like Art Fairs, Art Walks and Open Studios.

My Open Studios setup last year

Art myth #3: Affordable art isn’t quality art or it would cost more
Most of us want art because of how it makes us feel, not because of its investment properties. Art prices can be wildly different from artist to artist, and often they are based on the artist’s gut as opposed to market research. Bad art can be overpriced, good art can be underpriced. What makes art “good” or “quality” anyway? Technique affects quality- such as an artist using archival pigments and papers- but what makes it good is whether or not YOU have a connection with it.

Alright, now let’s get to the “how-to”s of starting your very own art collection:

1. Consider what type of art you like…. and don’t like!
Sometimes it’s easier to think of what you don’t enjoy than to identify what your aesthetic is, especially when you are beginning to collect art. I happen to like a lot of art that is different from the style of work I create. A little bit of casual research in this area will help you quickly narrow it down. Perhaps you’re into folk art or street art or color fields or collage. Visit a museum or a few galleries. Take notes in like/don’t like categories on your phone. Ask the gallery attendants or museum curators what style of art a piece is if you aren’t sure. Why do this? The Internet is really awesome for finding art, but there’s so much of it out there that keywords are, well key to helping you find it- whether you’re looking for local work or scouring the globe virtually.

2. Find local venues that showcase local artists
Most semi-urban areas have local arts organizations. For example, here in Sacramento we have SMAC,the Sacramento Metropolitan Arts Commission. They offer a newsletter that gives me details on resources and calls for art as well as local exhibitions. We also have an events website called that features local artists of the month and arts events. Free newspapers or zines on display around town, like the Sacramento News & Review out here are also a convenient way to discover art happenings.

Terms to search online include “cooperative art gallery in (name of your city)”, “art walk in _____”, “art openings in _____”, and “open studios in _____”. Most cities now have regular art-related events, such as “Second Saturday” or “First Friday”, on recurring dates used to coordinate city-wide art exhibitions. Usually you can just park downtown and walk around on these nights to see artwork set up on the street, in bars and restaurants and in galleries with extended hours in addition to places you’d never expect.

Open Studios are generally annual or semi-annual art events in a geographic location designed to give the art-loving public direct access to artists in their working spaces. Some artists offer demonstrations of specific techniques, such as those indicated with an asterisk in this year’s CAST Guide for the Capital Artists Studio Tour. CAST, the Open Studios event in Sacramento, is expanding so much each year that they had to split it into 2 weekends this time. This puts us in the footsteps of neighbor-by-the-bay San Francisco, who boasts the nation’s largest and oldest-running Open Studios– a bi-annual, month-long, kick-ass adventure featuring different neighborhoods each weekend and accompanied by a luxurious guide. Oh yeah, and there’s usually an app/ QR-code linked virtual map too. [It’s Silicon Valley, after all.]

“Embassy of Cake”, a nightscape of San Francisco I painted in 2011. Original available as well as prints.

3. Stay in touch with local artists you like
When you find artists you like, keep them on your radar. You can sign up for e-newsletters- many artists put out sign-up sheets during openings- or follow them on Twitter or Facebook or read their blog. Artists are essentially small-business owners, and it’s up to us to keep our fans engaged. I personally post new art on my blog, Facebook fan page and Twitter, and lots of my favorite fellow artists do too. It’s a great way to see what they’ve been up to, call dibs on a piece if it’s love at first sight [or barter-dibs, if you’re into trading art for art like I am], or evaluate their work over time as you secretly admire it.

This could also keep you in the loop for sales, discounts and openings. There’s nothing like seeing art in person, which is why I recommend you begin locally. Not every artist offers sales, but many try to reward clients that stick with them through discounts or occasional gifts.

Besides that, artists can be pretty interesting. You may learn something about yourself by following stories from artists who make artwork you enjoy. And you’ll have a stronger connection to the pieces you eventually purchase from them, because you’ll have learned about what inspired the piece, or stories surrounding their process. When you are connected to an artist, their art will have more worth to you, and you’ll feel better about supporting him/her while giving the gift of art to yourself.

Visitors checking out some of my mixed media pieces at the Sacramento Gay & Lesbian Center, from their blog REVEL

4. Start small and buy one piece you love
If you’ve never bought a piece of original art, start small- either in size or price. You can set yourself a budget- maybe your first piece will be $50 or less. If that’s hard for you, try negotiating a simple swap with yourself- say “I’ll skip 5 days at Starbucks to spend $25 on this mini-painting”.

And don’t buy it unless you LOVE it- really. I might spend 30 seconds looking at a throw pillow in Ross and pay $10 for it, then use it on my couch for a couple months until I get tired of it, and I might do that a few times a year. Do I LOVE the pillow? Meh. Do I NEED the pillow? No. So instead, couldn’t I live with whatever pillows I have for awhile and use that furnishing-whim-money on a rad wall sculpture from a local ceramicist that I can enjoy in my boudoir every damn day? Yes! And so can you!

How do you know if you LOVE a piece of art? Sometimes it’s a gut feeling, an impact you notice right away. You walk into the crowded, white-walled gallery opening and head for the free wine and cheese table when suddenly a piece of art jumps off the wall and straight into your visual cortex and doesn’t let go. Other times, it’s more subtle.

If it is a subtle courting and you’re not sure if you want to go for it, my biggest tip when it comes to figuring out whether or not you should buy a piece you like is to sleep on it. If you see a piece of art you like, and days, weeks or months later you still find yourself thinking about it, chances are you’ll enjoy it for years to come. The only caveat is that original art is usually one of a kind, and while you’re thinking about it, the piece could be sold to someone else.

At a City Art Gallery opening in 2010

Part of my personal commitment to my collectors is to always have affordable art available, and by that I mean original work under $100.  Growing up, I remember visiting art galleries as a teenager and getting the brush-off. I dislike the assumption that art is only for rich people. Art is for everyone. That being said, I could never charge $100 for the pieces that take me 50+ hours to complete, which leads me to my next tip..

5. Ask the artist for a payment plan or layaway option on a large purchase
Some of us fall into the “Whole Foods taste, Trader Joe’s budget” category, and that’s understandable. I’ve heard artists say that they could not afford to purchase their own work in a gallery, which is upsetting. Choosing art can be a lot like dating- you can’t always control who you fall for. And sometimes you fall for the tall, dark, expensive painting. Every artist handles sales differently, but most of us are reasonable.

An artist doesn’t have to put up a note on his/her website saying “ask me about layaway!” to be open to it. If you find a piece of art that you LOVE so bad it hurts your wallet, see if he/she would be willing to let you make payments. I arrange commissions and mural projects into installments. It works for me, because I get SOME money right away, and it works for the client, because they don’t have to fork it all over at once. Hooray!

So that’s it- a few simple steps towards enriching your living space and life with labors of love. In times like these, it’s easy to look at art as fluff. Clearly it’s not a necessity the way toilet paper and bread are. But be assured that when you’re ready to venture into it, the emerging collector’s art market will be here waiting. 🙂


a silent spectator

as swarms of strangers

snap souvenir shots

suddenly I’m a secret celebrity

for a few sparkling seconds


Hello darlings! Today I am waxing alliterative in celebration of a project I’m very proud of, so please excuse my self-indulgence. In September 2011, I was selected as a large heart artist for 2012’s “Heroes & Hearts” public art project. Benefiting San Francisco General Hospital, a level 1 trauma center that serves everyone regardless of their ability to pay, this fundraiser has been helping raise money and awareness since 2004. [Read about the history of this public art project here.]

The "night" side of the heart I painted on display in AT&T park during the Heroes & Hearts 2012 luncheon

The heart is both a symbol of San Francisco’s tolerance and acceptance, and a reference to the iconic “I left my heart in San Francisco” tune by the amazing Tony Bennett. Tony participated in the heart project in its inaugural year, and will be honored to commemorate the 50-year anniversary of that recording this coming Valentine’s Day at City Hall in San Francisco.

Guests attend the "Hearts after dark" celebration in AT&T park

I discovered the call for artists on Alan Bamberger’s facebook fan page during the summer and submitted a rendering. When I learned I’d been selected to participate, I was thrilled! I cleaned out space in my garage and my dad helped me out by preparing an industrial dolly, which I used to turn it while working on it. The blank heart was delivered to my home in Sacramento in September of 2011. Made of steel and fiberglass, it weighed roughly 400 pounds. We were given about 8 weeks to complete them, and all-told, I probably put about 120 hours of work into it.

Fabulous "hearts after dark" celebration with DJ's, munchies, cocktails and dancing

The heart I painted is titled “All Day, All Night”. The inspiration for the design began when, on an evening in the city with my  mom, I took a photo of the bay bridge and night sky from Treasure Island. At the time, I was mulling over what to submit as my heart design. I found myself thinking of “The General” and how the hospital welcomes everyone at any hour while standing on the seashore with my mom, who also welcomes me into her home at any hour- including late nights and last-minute stayovers when I’m in the bay area. I remembered the lyrics from a ditty she used to sing to me when I was a girl… “all day, all night Marianne… down by the seashore sifting sand…” and decided to return during the day to capture an alternate image. These day and night scenes ended up on both sides of the heart, seamed by a silver lining of metal foil.

"All Day, All Night" heart by Marianne Bland in Union Square, San Francisco

The donor that selected my heart during San Francisco General Hospital Foundation’s Heroes & Hearts 2012 fundraiser is Wells Fargo. Celebrating their 160th year and considering San Francisco their “home”, Wells Fargo graciously agreed to allow the heart to be displayed. It was installed at the corner of Post and Stockton streets in Union Square on February 10th, where it will remain until Labor Day of 2012.

A plaque on the base of the heart shows the donor, foundation, my name and the title

I visited the heart in Union Square today and was so excited to see it being enjoyed by the locals and tourists gathering there. I’m so honored to have been given the chance to participate in a project like this. While I can’t afford to donate huge sums of money to charities, I am able to contribute in a small way by donating artwork. The people at San Francisco General Hospital literally save lives everyday, whether or not the patients in need produce an insurance card first. To me, this is truly exemplary of how supportive and loving the community of San Francisco is. I’m so proud to be from the bay area, and this experience reaffirmed to me why the city is so special and why its neighborhoods, scenery and people continue to be the subject of my paintings.

A view of the night side of the heart facing the corner of Post & Stockton

Since it will be there all spring and summer, please stop by if you get a chance! 3 other hearts are on display at the corners of Union Square Park. [I suggest you opt for a parking garage- or bring a giant bag of change for the metered street parking. ] A big thanks to my husband for his understanding and support during the long evening and weekend hours I worked on this project, and to the rest of my family and friends for their enthusiasm and encouragement as well. Thanks to fellow heart artist John Kraft for his tips and advice along the way.

I’d also like to thank Alan Bamberger for the helpful resource and services he provides as an integral part of the San Francisco art scene- I highly recommend to my fellow artists. And of course, thank you to the people at the San Francisco General Hospital Foundation who made this project happen. It takes a lot of work to wrangle artists, move these hearts and coordinate events like these. Their dedication helps ensure that the staff at The General has what they need to continue to serve the city and its citizens. You can donate here if you’d like to help support their efforts too.