Hello folks! For the past week, I’ve been working on two large nightscapes that are probably going to take me a month or so. I also put up over 20 mixed media abstracts at DEEDA Salon for display/sale out here in Sacramento. In the interim, I’m mixing it up with some more small-format work. Working on these pieces, I discovered definitively that a year’s worth of daily art made my tiny brushstrokes steadier. š
Here are two paintings on 5″x7″ canvii {I’m working on getting the plural of canvases changed to canvii in the common vernacular. Make a note of it.} utilizing vintage dictionary pages, ink and acrylic paint. These sleepy hillsides are based on San Francisco, but I did conjure them from memory as opposed to sitting down with photographic references.
“Bellman Benediction” features rows of townhouses next to a step street and tree-covered hill. It’s finished with a gold “frame”.
“Circumvent Clamor” shows the top of a house-covered hillside across the gray bay from what is Angel Island in my mind. Of course, if that’s the case, there should probably be a Golden Gate bridge in there somewhere, but you know how it is with the fog- you can’t always see the damnĀ bridge even when you’re on it. š This one is finished off with a silver “frame”.
It occurred to me as I was working on these that they are reminiscent of manuscript illustrations in a way. It’s funny how I could make so many of these and just now see that connection. I’ll be listing these in my online shop soon. Hope you’re having a great weekend!